YOUNG: We owe a lot of our music to wood: the bodies of guitars and violins, the keys of a marimba, drumsticks and, of course, those clarinets and other woodwinds. Sound designer Diego Stocco decided to go straight to the source and play a tree itself, for his project, aptly titled, “Music from a Tree.” All the sounds that you’ll hear come from an old olive tree behind his house in Burbank, California.

STOCCO: We are in the backyard of my house and there is a tree. It’s a regular tree, nothing special, not one of the tree you see in the pictures, you know, that look all perfect – this one looks imperfect, but that’s probably the beauty of it; that’s why I was probably able to extract so many sounds. So, the beginning of this musical experiment was to create the rhythm first, and to create the rhythm I used a big branch by hitting against the cortex and leaves, so basically it’s like this:

STOCCO: There is a sound that comes from the cortex when you pluck it.

STOCCO: I tuned it the twigs with a pencil sharpener, so the shorter the twig, the higher is the pitch of that note. And then I added the tonal sounds. So, I have in front of me, I don’t what, at least five different twigs. So, this is one.

STOCCO: Then I have this here for the bass.

STOCCO: And I have another here, which is higher in pitch. I can also play them with two bows, but what I did was trying to organize those sounds into something more meaningful. I mean more musical, I don’t know if it’s more meaningful or not, but more musical.

STOCCO: So this, it doesn’t really sound as a musical piece now, but…

STOCCO: Okay! I got it. That groove keeps going and then…

STOCCO: It might be just an idea, but I was thinking it would be really fantastic to play a forest, not just by myself – imagine like 30 people in the forest selecting different trees, selecting different sounds from those trees; creating a real piece of music not just hitting branches and stuff.

Definitely, you cannot bring the forest in the stadium, you know? [Laughs] Some people thought that I was, you know, kind of violent with the tree, but it’s not! It’s not! As an additional note, I would like to say that moving the tree is creating vibrations actually makes the circulation better, so the tree is enjoying people making music with it.

STOCCO: And, uh, that’s the idea basically behind music from a tree.

YOUNG: Living on Earth’s Ike Sriskandarajah whittled our audio portrait of Diego Stocco and his musical tree – there are pictures at our website, LOE dot org.